Own a Piece of Literary Art History
Own a Piece of Literary Art History
The exact original
book cover art.
Your Divine Wolf woodcut print.
Hidden since publication in 1992.
You can now own a print of the powerful, iconic illustration, Divine Wolf.
It’s featured on the original cover of the groundbreaking Women Who Run With the Wolves.
Every lock of hair, tuft of fur and element of nature was first carved by hand into a single block of maple.
It is a careful process that takes hours to perform and years to perfect.
Magic & Medicine
Skill and Attention to Detail at Every Step
The Divine Wolf print is made with a block engraving and a sheet of museum-grade archival paper. Archival paper lasts hundreds of years. It’s made for important legal or historical documents.
The print is produced on an antique Challenge proof press. The block is hand-inked using a brayer and passed through the press. Each print has hand-deckled edges – and a carefully hand-embossed border.
25 Things You Didn’t Know About “Women Who Run With the Wolves”
An Interview with Artist
Brad Teare
Free PDF Download
The iconic Wild Woman recognized by over two million readers.
Visually express your wild wisdom with quiet elegance in your home.
Signed Limited-editions
& Rare Artist Proofs
Artist Proof
$95
Artist or printer’s proof versions are deemed rare and hold value.
Divine Wolf, black & white wood engraving, signed artist proof.
Signed Limited Edition
$190
A signed limited-edition woodcut retains or increases its investment value.
Divine Wolf, black & white wood engraving, signed limited edition of 30.
Materials
- Archival Aches cover buff paper, oil ink
- Print is accompanied by a signed Certificate of Authenticity
Dimensions
- Height: 7 inches
- Width: 6 inches
Method
- Hand-carved block
- Hand-inked on antique Challenge proof press
- Hand deckles edges
- Hand-embossed border
- Free shipping within the US
- Unframed
- Shipped flat – not rolled
- Please allow 1-2 weeks for delivery
One single radiant energy from emotion.
Clarissa Pinkola Estes knew the symbolic weight of her work better than anybody. I was tapping into this proto-literate primitive look. And she wanted to have it look more literate. I was experimenting with a lot of women who were petroglyphs. Representations of a woman running with wolves. That’s where I started. But, the author was having a lot of input. And I thought it pretty decent input.
It wasn’t how I envisioned placement. I never saw the envisioned layout for the book cover. That hampered me a little bit. I get why they wanted to compress
everything into one woman, one wolf – one single image. One single radiant energy from emotion.
–Brad Teare, Illustrator